Raise your hand if, in front of a work of contemporary art, he never thought
"It's something I could do it well"
Tonight I read and smile reading:
"They exchange the art for the work and throw garbage in the incinerator"
They exchange a piece of contemporary art for garbage and throw in the garbage. Unfortunate fate of the "Legg-I," a work of art poor Isabella Facco exchanged by garbage collectors ODA for a refusal to bring the incinerator.
The border between contemporary art from the trash is very thin, sometimes almost made possible only by the exhibition space is located in the work. And as often happens the phrase most heard in a museum of contemporary art and the more pronounced is precisely the question: "this thing I could do it better?".
Most of the time behind a work there is a deep and serious study of the message you want to convey, of how to hit the viewer with as artistic technique and with what materials. Exploring the vision of a single work seemingly absurd one can understand the artistic and emotional pressure that allowed the artist to reach a solution more often than not extreme.
Sometimes maybe it's just garbage, and the difference is made by people who pushes the piece, the critic who speaks for remuneration and other factors more or less influential.
The fact remains that the ultimate purpose of art is to impress and excite, unfortunately (or fortunately, depending on your point of view) is no longer the era of technical or artistic skill of understanding the ability to create beauty, to make a work a piece of art or a jumble of metal and wood.
Now everything can be art or not, depends on the gaze of the viewer. And if the viewer has looked good the first which must be observed in a contemporary art museum will be the name plate work, and then the work itself, not to get into this tragic mistake of setting a fire extinguisher for twenty minutes, believing the concept of extreme Flemish art.
Not to confuse the elderly rests on a chair for a post-modern installation.
not have much sympathy in contemporary art and reputation in part overestimated smile reading this because sometimes, just for a mistake like that, you can get the headlines, perhaps without Meritalia. Such an error gives me the illusion that you can resize a field for a moment that sometimes you take too seriously, and too little fun
course is just my thinking, my way of look at it, sorry for the artist involved in drama but especially for sanitation workers, I imagine, have been pointed out as "ignorant" from this and that other "industry expert".
In the video art Guzzanti currency
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